Carl Crossgrove describes his Biome typeface family as �both futuristic and organic, with a sense of calm.� He recalls, �My first sketches showed a globular, amorphous alphabet derived from superellipses. At the same time, I was sketching a rectangular, vaguely calligraphic sans serif design, on which I made the notation �square, futuristic, mechanical.� The two threads eventually joined in one typeface, incorporating many of these contrasting qualities.�
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