family of 1 font from Nick's Fonts
One in the series of fonts celebrating the Halcyon Days of Handlettering.
The newest styles in display type inspired designer David Quay to create this pseudo-latin/1950’s concept based on a copperplate script. The capitals are designed for initialling purposes only. Marguerita is a perfect choice when a merry, light-hearted effect is required.
family of 1 font from Solotype
The Fredrick Ullmer Co. in London acted as agent for many typefoundries, and this was one of their offerings. Some of the letters were rather outlandish, so we fearless decided to improve them. The result is this dated but pleasant font.
family of 4 fonts from Eurotypo
The melon (Cucumis melo) is an herbaceous plant monoecious trailing stems. It is known for its fruit, a berry summer season with a high water content and sweet taste.
An original calligraphic script by Natalya Vasilyeva. Licensed by ParaType in 2003. For use in advertising and display typography.
font family
Meet Me In Brooklyn is a fun and friendly hand painted font. This typeface is unique and will brighten up any of your designs.
family of 2 fonts from Ingrimayne Type
What would happen if one took a rather crude, squared-serifed typeface of the type popular in the 19th century and added medieval and calligraphic ornamentation? Maybe the result would be Medieval Gunslinger.
family of 1 font from Jeff Levine
Mechanized JNL is a solid interpretation of Jeff Levine’s stencil font Trencher JNL. Both fonts were based on a photo of hand-cut stencils found on a 1940’s trenching machine in the collection of the Marine Corps Mechanized Museum at Camp Pendleton, California.
family of 2 fonts from Gaslight
Clean, modern san-serif font for display and text application.
Based on an ancient secret writing system.
NOTE: this font comes with an interpretation guide in pdf format.
The objective of this font was to try and find out how far back in the designer’s life this obsession with letters began. The challenge was to draw, from memory only, two sets of caps that recall older Looney Tunes and Merrie Melodies lettering.
The experiment was a success, which means that the designer’s got it bad since he was, like, four!
The Marvin set includes three stylistic variations (Regular, Round and Shadow), with extensive multi-script language support covering Western, Central and Eastern European languages, as well as Cyrillic, Greek and Vietnamese.
A few extra alternates and interlocking ligatures are also included, all adding up to over 650 characters in each font. More…
Then you're on your way to claim this planet in the name of Mars. Isn't it lovely, mm?
Marquee is a family of two fonts, containing both faceted and solid characters which can be layered to effect 3D, dimensional and translucent marquee-style typography, allowing for the creation of headlines reminiscent of classic theater and motion picture marquee signage.
family of 1 font from LLW Studio
Market Street Neon is an all-caps condensed display font constructed with two rounded-end strokes; the lowercase set is included as a repeat of the uppercase to make setting type just that little bit easier. I designed this font to be a little bit more “San Francisco†(hence the name of the font), with a contemporary and upscale feeling. It’s intended for use in larger sizes of type, upwards of 48 pt. Market Street Neon is perfect for a design that wants to imitate neonâ€â€use it in Photoshop, InDesign, Illustrator or Corel with color & blend effects, and its geometry also lends itself well to simple color for signage, packaging, posters etc. that will pop.
