family of 4 fonts from Arabetics
The Arabetic Sans Serif type family follows the guidelines of the Mutamathil type style but also illustrates the effects of adding and removing Latin-like serifs on Arabetic scripts legibility.

“Drawing letters is my passion,†says Erik Faulhaber, the designer of the Xenois typeface family. Pronounced “zeeno-is,†the design distills character shapes into what Faulhaber believes are their purest forms.
“I studied many typefaces, carefully examining their structure, before I began drawing Xenois. Then I actually wrote out a detailed design brief establishing the goals for my design.â€

Londrina Serif is based on my font Londrina.
It’s a vernacular typeface with a lot of weights and personality.
family of 2 fonts from John Vargas Beltrán
The aim of this typeface is to merge two historical moments in the form and style of writing, on the one hand calligraphy uncial, and Roman serif was established as a universal standard for type fonts continuous text at the time. Is intended in terms of their functionality as a font for titles. The family includes some extended range glyphs as several Caps swashes and stylish alternatives for upper and lower case, standard and discretional ligatures, old numerals and other OpenType features.

A set of vintage wood type printing blocks yielded the alphabet which was to become Chamfer Serif JNL. With its heavy vertical serifs and interesting character shapes, the design is unique when compared to the more familiar wood type offerings of the past.
family of 1 font from Gerald Gallo
Display Black Serif is a display font not intended for text use. It was designed specifically for display, headline, logotype, branding, and similar applications. Display Black Serif has an uppercase alphabet located under the character + shift keys and a complete set of alternate uppercase characters located under the character set keys. It also has numbers and punctuation.
In 1972, Herb Lubalin and Tony DeSpigna designed this typeface for the International Typeface Corporation. ITC Serif Gothic combines the readability of serif (roman) faces with the simplicity of a sans serif (gothic). It comes in six weights, providing a flexible range of faces for use in advertising, packaging, billboards, or headlines.
All typewriter types are rounded and especially American Typewriter has an almost too-slick appearance.
Suomi Slab Serif has the glyph shapes similar to typewriting, but the serifs, terminals and connections are crisp and sharp.
Preto is an extensive type family, which explores the function of serifs on readability and legibility. Preto consist of three subfamilies: Sans, Semi and Serif. Preto is designed for multilingual typesetting.
All of the subfamilies have equal gray value but different texture which can be use to differentiate languages. Preto sub-families have two text weights and two bold styles (Regular -> Bold, Medium -> Black).
Every weight has a companion Italic style as well. More…
Its long, spiky and sharp serifs contribute to give the typeface a distinct and energetic character. It is very suitable for magazines, corporate identity, brochures or other print materials where a typeface for continuous reading is required.
The ligatures in Preto Serif are very special. You can set them in different tracking values and spacing will increase/decrease consistently in the ligatures as well.
Alternative characters in the font files allow you to change the feeling of the text from typical to more special (J, Q, g , &).
Each font contains a full set of small caps and many alternative characters for complex typesetting.
Preto is an extensive type family, which explores the function of serifs on readability and legibility. Preto consist of three subfamilies: Sans, Semi and Serif. Preto is designed for multilingual typesetting.
All of the subfamilies have equal gray value but different texture which can be use to differentiate languages. Preto sub-families have two text weights and two bold styles (Regular -> Bold, Medium -> Black).
Every weight has a companion Italic style as well. More…
Its long, spiky and sharp serifs contribute to give the typeface a distinct and energetic character. It is very suitable for magazines, corporate identity, brochures or other print materials where a typeface for continuous reading is required.
The ligatures in Preto Serif are very special. You can set them in different tracking values and spacing will increase/decrease consistently in the ligatures as well.
Alternative characters in the font files allow you to change the feeling of the text from typical to more special (J, Q, g , &).
Each font contains a full set of small caps and many alternative characters for complex typesetting.
family of 2 fonts from UrbanPixel
This font is inspire from Americain type in the 40’s and 50’s.