font family from OhType!, added today
The 225 glyphs that make “Spina Typeface” are the result of experience with hundreds of drawings, sketches and digital test in seeking to achieve a typeface that represented the fluides of the script’s and elegance of the modern Roman.
Sovba is an amiable rounded sans-serif inspired by handwriting. Sovba is useful for a look that is uniquely casual, fresh and smooth. Sovba simplifies character forms down to their basic characteristics, and has a strong, silky smooth forward motion.
Sovba includes more traditional optional alternates for a number of characters, including the ëEà and ëF,à OpenType alternate characters, old style figures and small caps.
Sovba is a fine choice when you require a versatile upright oblique for logotypes, headlines or short blocks of text.
A soft spoken sorceress whispers sweet somethings in your shell-like ear. Her words excite and enthrall, tantalize and tease, they soothe and seduce, stimulate and sustain you, they awaken and arouse you, they entice and engorge you, they -- oh, I'm sorry, what was I supposed to be saying? Oh yeah, from the pages of DC Comics' Vertigo title, THE WITCHING HOUR, and Joe Kelly and Chris Bachalo’s STEAMPUNK, Comicraft is happy to make available one of our most requested fonts...
Hey, what happened to that cute girl with the white hair? And, Hey, Where’s my wallet?!?
family of 7 fonts from DSType
Solido is a very versatile and usable type system with five widths: Solido, Solido Constricted, Solido Condensed, Solido Compressed and Solido Compact, in a total of 35 fonts with many of alternate characters.
Snazzy is a sans-serif that is squarer than most other sans faces, giving it a distinct appearance that we think is quite, well, snazzy.
There’s 7 weights accommodating all situations from light text to heavy display, and in our typical house style we have named them - unconventionally but helpfully we think - in ascending numerical order from lightest to heaviest. We think this makes the different weights easier to access than in alphabetical order. On top of the 7 Regular and Italic versions there’s a couple of fun faces - an informal jumbled-up version and the smileys. More…
Tornac is casual and informal, with a personality ideally suited to packaging, in-store labelling or even titling in magazines and books. On the surface the font looks casual and jaunty, but this is the controlled movement of a trained calligraphic hand.
The characters are carefully designed to always create a flowing handwritten rhythm. Subtle emphasis in stroke width and termination creates the illusion of pressure on the pen.
Alternate characters are designed to harmonize with their preceding and following letterforms in various contexts.
When used in an application which supports OpenType features, the alternate characters are automatically fully utilized in any text you set. The Standard Edition includes a complete Latin A Extended character set.
font family from Dalton Maag, added today
family of 1 font from HamburgerFonts
Tooting Sans is a well-crafted, contemporary humanist sans. Designed for the needs of editorial, advertising and signage, Tooting Sans is not only suitable for setting large amounts of text at small sizes, it also has a presence and robustness for powerful headlines.
family of 1 font from Suomi
I was playing around with computer style forms, and suddenly noticed an optical effect in this style. There you go!
font family from La Goupil, added yesterday
The Hand is a handwritten font designed by Fanny Coulez and Julien Saurin from French foundry La Goupil Paris. We wanted to create the most generic, readable and balanced handwritten font, to work well in every kind of design. It’s an all-caps font with 5 weights and alternates : all the uppercase letters are different from the lowercase letters. We also designed a regular dotted version so you can vary your effects. Merci beaucoup!
font family from AdultHumanMale, added yesterday
STROKIN is an inky, messy, Omnicase display font. It’s part charcoal part paint strokes, reversed in lighter tones it looks like chalk, add a splash a red and it starts to look like blood. It has over 250 glyphs including all those extra pesky foreign features. OpenType coded, It has various letter pairings that interlock automatically to create a more randomized, bespoke feel to your copy. Hope you like it.
family of 1 font from Gerald Gallo
Stature is an original, clean and crisp, sans serif compressed font, which can be used for text or as an effective display font.
The 225 glyphs that make “Spina Typeface” are the result of experience with hundreds of drawings, sketches and digital test in seeking to achieve a typeface that represented the fluides of the script’s and elegance of the modern Roman.
Thereby, based on this principle and a unique style, a infinitely versatile typeface was designed that evokes both the beauty and finesse of the plants as power its thorns and its deadly poison.
family of 1 font from Jeff Levine
Jeff Levine’s Newshawk JNL emulates the tall, condensed headline fonts often used years ago when an urgent story broke and a newspaper rushed an “Extra” edition to the streets.
NewYorker Type was one of the first typefaces I tried my hand at in 1985.
I meant it as a revival of the typeface used by the New Yorker magazine. I did not scan it in, I just looked at the type and redrew it completely by hand.
So it is not just a copy, but rather a redesign. Only much later did I come to know, that there is a bundle of similar typefaces of that period. Rea Irvin’s design for New-Yorker magazine was just one of them, but the best.
More…
Plus I made the complete Latin set, so that all European countries can use it. (Except for the Greeks and Russians, sorry!)
Gert Wiescher
font family from Twenty-Six Types, added yesterday
Neustade is a layered typeface based on a simple grid, taking inspiration from the work of Wim Crouwel and Foundry Types. I challenged myself to create a typeface where words and letters can appear within or outside of other words and letters with the help of layering.
The Morgan Project can be considered a big type family with ‘many styles’ or a set of different types that match with each other. For me it’s one typeface with different versions with deliberate and visible differences according to the propose to which each version was created. The design started in 2000 as a display type with the design of the Morgan Tower, to which more two display versions were added; Morgan Poster and Morgan Big — all together the make our: FTF Morgan Display Kit 1. All three versions consist only in uppercase with alternate letters in the lowercase and a set of special ligatures. Morgan Tower has four variants that differ in width/weight, Morgan Poster has six variants (often called styles), three weights in upright and oblique and Morgan Big has twelve, six weights in upright and oblique. Lately, the FTF Morgan Tex Kit 1 was added. Apropriate versions to use in text setting. Both versions, FTF Morgan Sans and FTF Morgan Sans Condensed share the same structure and character mapping. Four variants each; regular, bold, oblique and bold oblique with a large character set including: small caps, lining and old style figures (here called Office figures) — both tabular —, small caps lining figures, mathematical symbols and fraction figures, and, a set of foreign characters expanding the possibilities of use for a wider range of languages. Characters are distributed in six different font layouts: Lining, Office, Expert, Caps, Figures & Pi.
A sans-serif typeface with clean and simple proportions. The design pays special attention towards balance and purity of form, creating a functional yet elegant typeface suitable for a wide variety of modern applications.
Details include 9 weights, an extended European character set, manually edited kerning and Euro symbol.
Mixtra is a versatile and complete type family designed by Bo Berndal.
The three Mixtra family branches are Roman, Sansserif and Slabserif, each with a full set of weights. The Roman also has a Small Caps font. Combining the three family members is a good starting point for creating a coherent typographical design. Mixtra works well in magazines and all sorts of print in need of a strong visual identity. More…
Mina is an elegant font published by Resistenza. Inspired by an eventful and exciting epoch characterized by economic power, technological progress and rebellious spirit, Mina manages to recreate that atmosphere. Despite the fact that the 1950s were a time of revolution for the social culture, a time of civil rights movement, the culture and society were marked by serenity and peacefulness. People had time to chat, to write letters or listen to radio. Due to its simple and elegant lines, Mina preserves the classical spirit of those times and renders it in its style. That is what makes it suitable to branding, headings, captions, lettering and signatures.
Foundry:Â Resistenza
Formats:Â OTF
Glyphs: Basic Latin/English letters, Any Open Type Features, West European diacritics, Euro, Ligatures, Central Europe, Baltic, Turkish, Romanian, Open Type Alternates, Other Open Type, Dingbats and Symbols
Licence:Â Desktop, Webfont, App, eBook, Server
Released:Â 2013
Price:Â starting from $27.30 with all 15 fonts for $218.40
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MB NOIR IS A 4 WEIGHT WITH ITALICS FONT FAMILY THAT VISUALLY HAS DIFFERENT LAYERS OF STYLE, AT FIRST GLANCE ITS A MODERN CLEAN GEOMETRY BASED FACE WITH SOME NICE RETRO TOUCHES, IT ALSO HAS HINTS OF THE VINTAGE ABOUT IT, WITH A NOD TO THE ART DECO STYLE, WITH ALTERNATES AND LIGATURES IT GIVES A LOT OF SCOPE FOR ITS USES AND WORKS VERY WELL AT LARGE AND SMALL SIZES.
font family from M-B Creative, added yesterday
family of 1 font from Celebrity Fontz
Luxurious high-quality ornamental initials superimposed on elaborate Art Deco drawings of plants and flowers, inspired by 18th and 19th Century French designs, with a modern approach.
