Firas, designed by Abbas Al-Baghdadi in 2005, is a traditional Kufi and a winner in Linotype’s first Arabic Typeface Design Competition. The design is very geometric and bold with very high level of contrast.
This makes it suitable for large display sizes, especially in the area of advertising. The font includes a matching Latin design and support for Arabic, Persian, and Urdu. It also includes proportional and tabular numerals for the supported languages.
family of 1 font from MADType
Findon is a classic sans serif uppercase stencil typeface.
family of 2 fonts from Jeff Levine
Fincastle Sans JNL is an all-caps titling font in both regular and oblique versions.
Filmotype Hamlet was released by Filmotype in 1955 as a condensed version of it’s first connecting script face Filmotype Harmony originally designed by Ray Baker. Filmotype regularly created derivative styles and weights of its typefaces as its customers requested new styles for their typesetting work.
Filmotype Hamlet was developed from the original font filmstrips and includes a full international character compliment, automatic fractionals, ordinals, and a large set of automatic alternate contextual characters and ligatures to allow flawless typesetting in dynamic OpenType format.
family of 1 font from Filmotype
Filmotype Brooklyn picks off where her younger sister Filmotype Alice left off. Without the ability to embolden type photographically using its machine, Filmotype Introduced a customer requested bold weight of Filmotype Alice in the late 1950s.
Michael Gills developed this Letraset text family under the direction of Letraset Type Director, Colin Brignall. Figural is based on the original 1940 design by Oldrich Menhart, the famous Czechoslovakian calligrapher, type designer and typographer.
All of the the original characteristics have been carefully retained in this marvellous, distinguished family of typefaces.
Whether used in short pieces of advertising text or in larger pieces such as magazines or books, Figural’s legibility guarantees success.
A choice of three weights, a delightful angular italic, and a set of small capitals of classical Roman proportions are available.
FG Rochelle has some special capitals like the B and R that makes it stand out from other script fonts.
A beauty!
family of 1 font from YOFF
FG Ellinor is inspired by a handwriting I saw on a receipt once. I liked it so much I named it after me :)
Felicita is a calligraphis, handwritten typeface created by Gert Wiescher and published by Wiescher Design that was inspired by Ellida. It contains two different basic fonts that can be mixed, two different sets of initials, a set of wings and flowers. This makes it perfect for wedding invitations, romantic projects.
Foundry: Wiesher Design
Formats: OTF
Glyphs: Basic latin/English letters; Only available in some of the styles: West European diacritics, Euro,Ligatures
Licence:Â Desktop, Webfont
Released: 2013
Price: all 10 fonts $99,00;
family of 1 font from Sudtipos
A friend of mine says that sports are the ultimate popular drug. One of his favorite things to say is, “The sun’s always shining on a game somewhere.â€Â
Linotype Facsimile is part of the Take Type Library, which features the winners of Linotype’s International Digital Type Design Contest. Designed by J. Luigs and S. Wicker, the forms were constructed for electronic readers, just as the OCR fonts were. The increasing use of computers accompanied the growing number of fonts suitable for electronic reading. The standard has long been set, but designers are always creating new interpretations and new symbols. Typefaces like Facsimile are here to stay and personify the Zeitgeist of the late 20th century.
family of 2 fonts from Scholtz Fonts
Fable is an elegant, hand-crafted typeface that evokes the magic of fantasy weddings, of castles and wizards, of dragons and dungeons. Among others it combines elements that are suggestive of Greek mythology, of runic scripts, of Scandinavian tales and of the stories of King Arthur. Difficult to categorise, Fable effectively combines features of uncial, calligraphic and script fonts.
family of 2 fonts from Blue Vinyl Fonts
Eye Catching was handwritten with a glitter gel pen on pink notebook paper... not really, but it sure looks like it could have been!
Evidence JNL is a serif stencil font in Jeff Levine’s large collection of stencil designs from vintage and unusual sources.
family of 3 fonts from Blambot
Designed with the flair of European comics dialogue! A plethora of international characters included. Regular, Italic and Bold.
Estonia Regular is based on the calligraphic style found in the east European country of Estonia. The swash versions are designed to be used in conjunction with the regular version. For the full character set all in one font, try Estonia Nouveau Pro.
Estandar is a Vintage wayfinding sans serif font, inspired by old signal in central park.
The multi award winning ESTA is back, renewed and improved in OpenType format.
Now named Esta Pro, is available in Regular, Italic, Bold, Bold Italic, Display and Swashes. Includes plenty of features, like SmallCaps, Alternates, Ligatures and CE characters.
font family
Equip Slab, a new hardline, serif dominated face designed on the same geometric base as the rest of the Equip family. With its clarity it appears strong, imperative and straight forward.
